I missed the peak “leaf peeping” time at Harriman this year. No bright red orange gold here. Just the remnants of gold and russet. I think I prefer this bittersweet ending scene instead of the “everything on fire” autumn scene. Can you tell I’m an introvert?
The mind never stops churning, even on a relaxing weekend upstate in the Catskills (NY). The Glen Falls House is where we stayed and everyone was super nice. There are short nature trails on the property, some of which, lead to one of the most beautiful waterfalls I’ve ever seen. It’s not a big waterfall, but the surrounding rock formations are hypnotic.
Painting this was FUN. I worked on it a couple of hours after work for a little over a week. The water was the biggest challenge but the scene already offers great contrast between the light coming in through the trees and the darkness underneath the rocks. The Eastern Hemlock stand at the top of the falls really hit home. I love these conifers and who knows how long until they are destroyed by the woolly Adelgid. Finally, I went for more glow and stronger color to depict the funky vibe I feel from the Catskills.
This place is not far from home. A swamp, a wetland, a breeding ground for a myriad of organisms. Some we consider charismatic, some consider us their host, and some we don’t recognize. It’s hard to walk by without noticing things here, especially, in the fall. What was a sea of green is now a textury color kaleidoscope. This season seems more fleeting than the rest. So little time, so much to paint.
I’m driving to work. It’s September and the weather is kind of muggy already at 7am. Right before the light there’s an old abandoned village, or so it seems. This obscure place has become a resting place for a giant white oak that must have died a while ago, but fell not too long ago. I wondered if this tree was special to someone.
On a recent woods walk, I took a photo of this slope. The gnarly old tree or snag probably caught my attention. But, when it came time to paint it the scene changed completely.
First, I decided to put a stream through the middle of the painting. I felt the lighting needed a little jazzing up. The gray background in the photo might have been a bit bland for the painting. Never fear – the gnarly old tree made it into the scene!
We end up with a somewhat moody little scene, depicting early morning, perhaps. I like the way the rocks on the top left came out. Rocks of Harriman State Park are typically that shade (from what I recall, anyway). It has a calming quality to it. Hope it calms you, the viewer too.
Thanks for looking.
This past September we had the good fortune of visiting Acadia National Park in Maine. Acadia is a wonderland of forests, granite peaks shaped by glacial events, and as depicted in this painting – rocky beaches. During our time on this rugged Atlantic coast, most days were very foggy and overcast, but rapidly changing, so I was inspired to paint a moody sky in transition. Toward the end of the timelapse, I also start to show some the kelp sprawled along the beach, which becomes a very prominent feature in the bay during low tide.
I hope you enjoy part 1… I will post updates as the painting progresses!
For many of us, the real sauce in a watercolor painting, any kind of painting, is direct experience. As I walk, the light bulb goes off, multiple times if I’m lucky. But, walk and be there I must in order to set the mind ablaze with ideas for a painting. It is a wonderful thing to suddenly be struck with excitement about re-creating, and maybe even embellishing the thing being experienced in real-time. It is one of the few things in life that doesn’t feel like pounding a square peg into a round hole; it happens with ease.
I’m still playing around with these watercolor time-lapse ideas. This is the 2nd one I’ve done since the “Winter River Scene” from a trip to Connecticut early this year. I’m fortunate to live close to Harriman State Park; a 47, 527 acre mixed deciduous forest, containing some of the oldest rocks in the world. The idea of showing the sun hitting this exposure of presumably Precambrian (1+ billion year old basement rock) is what sparked the inspiration for this painting.
There were also two gnarly Eastern White Pine growing in this spot. Evidently, this type of pine is iconic of the type of ecosystem found in this region before European settlers began exploiting these giants for economic purposes, such as ship building, and it quickly became a major export. In this painting, I wanted to show the gnarly bark of a White Pine that is allowed to reach a certain maturity; reminiscent of a time when it reached old age regularly. To cap it off, there is autumn color to celebrate the season!