Mitchella repens (Partridge berry). This is an often overlooked, wonderful evergreen ground cover for shade/part shade in the garden. It is fairly common in the deciduous forest understory. Unfortunately, I didn’t find any with the red berries still intact (which I hear are edible). This plant is somewhat slow growing and it eventually forms a dense carpet. When in bloom, the little white flowers are structured so that they prevent self-fertilization, thus promoting genetic diversity! And, it is the only plant in its genus in North America.
Let there be light- w/c 10×14”
The photo I worked from to help guide this painting was taken a couple of years ago. I’m not sure what made me go back in time; maybe the light effect, maybe the time of year. I wanted to show the light coming in from the background to light up the river with enough contrast with dark areas of the river, to keep it interesting. Things may seem just gray and brown this time of year, but I think the lighting in the winter is tremendous – like a lamp with a dimmer adjustment, yet positioned at a certain angle to still create dramatic effects.
Harriman State Park in Autumn (w/c 14×20”)
I missed the peak “leaf peeping” time at Harriman this year. No bright red orange gold here. Just the remnants of gold and russet. I think I prefer this bittersweet ending scene instead of the “everything on fire” autumn scene. Can you tell I’m an introvert?
Icebox Falls – watercolor 18×24”
The mind never stops churning, even on a relaxing weekend upstate in the Catskills (NY). The Glen Falls House is where we stayed and everyone was super nice. There are short nature trails on the property, some of which, lead to one of the most beautiful waterfalls I’ve ever seen. It’s not a big waterfall, but the surrounding rock formations are hypnotic.
Painting this was FUN. I worked on it a couple of hours after work for a little over a week. The water was the biggest challenge but the scene already offers great contrast between the light coming in through the trees and the darkness underneath the rocks. The Eastern Hemlock stand at the top of the falls really hit home. I love these conifers and who knows how long until they are destroyed by the woolly Adelgid. Finally, I went for more glow and stronger color to depict the funky vibe I feel from the Catskills.
This place is not far from home. A swamp, a wetland, a breeding ground for a myriad of organisms. Some we consider charismatic, some consider us their host, and some we don’t recognize. It’s hard to walk by without noticing things here, especially, in the fall. What was a sea of green is now a textury color kaleidoscope. This season seems more fleeting than the rest. So little time, so much to paint.
I’m driving to work. It’s September and the weather is kind of muggy already at 7am. Right before the light there’s an old abandoned village, or so it seems. This obscure place has become a resting place for a giant white oak that must have died a while ago, but fell not too long ago. I wondered if this tree was special to someone.
Man Mourns Oak – w/c 10×14”
On a recent woods walk, I took a photo of this slope. The gnarly old tree or snag probably caught my attention. But, when it came time to paint it the scene changed completely.
First, I decided to put a stream through the middle of the painting. I felt the lighting needed a little jazzing up. The gray background in the photo might have been a bit bland for the painting. Never fear – the gnarly old tree made it into the scene!
We end up with a somewhat moody little scene, depicting early morning, perhaps. I like the way the rocks on the top left came out. Rocks of Harriman State Park are typically that shade (from what I recall, anyway). It has a calming quality to it. Hope it calms you, the viewer too.
Thanks for looking.