We were driving home one evening on a “school night” *gasp*…the sky really captured my attention. At this time of the day, the greenery, barn, and road are sort of muted in color and tone, as the sky is lit up in the few remaining moments before the sun has set. And so, in this painting the sky becomes “the story” or the point of focus. There’s this feeling of calm at the end of the day… less to do (hopefully), maybe a cup of tea and less TV.
When Covid-19 first broke out, I found myself with a little extra time to build a pond. I call it: my Pandemic-Pond. This is not that pond. This is a pond created by nature! This pond is somewhere out there in some obscure location where I imagine thousands of insects are abuzz on a lazy hazy mid afternoon. Frogs, turtles, and salamanders bask in the sun, as few random lazy clouds float on by.
This painting is available on my ETSY shop
Shadows can be most dramatic in contrast with snow. It is one of my favorite subjects to paint. The copper colored leaves still cling to young Beech and Oak trees all winter long. This phenomenon is called marcescence. There are a few ideas why trees may hold on to their leaves through the winter.
One idea is that Beech and Oak were once evergreen trees and are still evolving into deciduous species. Other ideas suggest that the leaves are used as insulation and nutrients as they drop around the trees closer to spring time. To the observer and artist, it certainly provides interesting subject matter for winter scenes!
Prints and originals available on Etsy.
The Stairway to Heaven hike in Vernon showcases some of the most beautiful parts of northern New Jersey. But what did I choose to paint from this hike? A puddle of mud! I’m sorry, but beautiful vistas don’t always scream “paint me”. I found beauty in this mud puddle for these reasons – simplicity, reflection, composition, and color. The view from a mountain top can make for an excellent painting, but I’m craving a certain something else these days – something sort of interesting, though difficult to pinpoint.
I like a good architectural challenge once in a while – buildings in truthful perspective, arranged with charm. This time, I”ll take a couple of cedar trees and a muddy path, please. The freedom to paint a simple landscape promotes a sense of joy and relief, as if a tremendous weight has been lifted.
I’ve broken a painting rule – the reflection of a subject in water should be darker than the actual subject. Not in this painting. But that’s the way it is – there is a thin layer of water covering the muddy path, making the reflection of the tree appear lighter because the sun shining on the mud under the water is bright.
There’s no mountain in the background, but artistic liberties must be taken to make things a bit more interesting. Even without the mountain, the composition of this scene made me stop walking. I saw the potential for wonderful depth – the muddy path and lighting draws the viewer further into the painting.
This scene is located at the base of Waywayanda Mountain. The habit is mostly field with numerous red cedar pioneering the area. Whether the trees were planted here, I do not know. I found the color contract tremendous. Red-ish green cedar trees (hence the name Red Cedar, Juniperus virginiana) against a straw-yellow field, with a cobalt-blue bright sky (some of that in the reflection).
That’s what hooked me then, not sure what will hook me next 🙂