I painted this watercolor in January 2020. A typical northeast gray winter afternoon. The sun is shrouded in thick clouds. In January this place is very quiet and solitude is possible. In the spring, summer, and fall – get your socializing hat on.
The Stairway to Heaven hike in Vernon showcases some of the most beautiful parts of northern New Jersey. But what did I choose to paint from this hike? A puddle of mud! I’m sorry, but beautiful vistas don’t always scream “paint me”. I found beauty in this mud puddle for these reasons – simplicity, reflection, composition, and color. The view from a mountain top can make for an excellent painting, but I’m craving a certain something else these days – something sort of interesting, though difficult to pinpoint.
I like a good architectural challenge once in a while – buildings in truthful perspective, arranged with charm. This time, I”ll take a couple of cedar trees and a muddy path, please. The freedom to paint a simple landscape promotes a sense of joy and relief, as if a tremendous weight has been lifted.
I’ve broken a painting rule – the reflection of a subject in water should be darker than the actual subject. Not in this painting. But that’s the way it is – there is a thin layer of water covering the muddy path, making the reflection of the tree appear lighter because the sun shining on the mud under the water is bright.
There’s no mountain in the background, but artistic liberties must be taken to make things a bit more interesting. Even without the mountain, the composition of this scene made me stop walking. I saw the potential for wonderful depth – the muddy path and lighting draws the viewer further into the painting.
This scene is located at the base of Waywayanda Mountain. The habit is mostly field with numerous red cedar pioneering the area. Whether the trees were planted here, I do not know. I found the color contract tremendous. Red-ish green cedar trees (hence the name Red Cedar, Juniperus virginiana) against a straw-yellow field, with a cobalt-blue bright sky (some of that in the reflection).
That’s what hooked me then, not sure what will hook me next 🙂
Sometimes inspiration comes from a photo taken by your sister-in-law. I’m not sure what about the photo inspired me, but for some reason I just wanted to paint it. It’s great to see kids playing outside. The cold northeastern weather doesn’t seem to bother them. They are happy and curious exploring the streets of East Stroudsburg, Pennsylvania with their parents.
Helianthus annuus – the annual sunflower. Bright like the sun with its radiant yellow petals surrounding a giant disc. We plant the seed every year waiting for it to sprout, with childlike excitement, until finally the plant grows into a towering beast. Birds love to feast on the sunflower’s seeds and perch on it’s strong limbs. We too enjoy it’s oil, seeds, and the many horticultural pleasures it brings. Oh yeah, the bumblebees think it’s okay too.
There’s something about winter that makes me want to paint night scenes. Probably because in the northern hemisphere there is more darkness this time of year. Night can be magical and mysterious, which is what I’m trying to convey in this painting with a dramatic sky and a full moon shining through the clouds. “Creatures” tend to become more active at night, though in the dead of winter, I’m not so sure. I bet most sensible animals slow their heart rate down and buckle down until warmer times. I like to think of ourselves as slowing down too, to take a breath and look around? Nah, of course not.
This painting was created for my cousin as a wedding gift. Plants included in this bouquet are all native to northeastern North America. This piece is somewhat imaginative because plants, such as flowering dogwood bloom in early spring, in contrast with our native hibiscus, which bloom closer to August. Therefore, this particular arrangement of fresh flowers may not be possible in practice, but it is way cool as a work of art 🙂
Plants included in this bouquet:
-Swamp Rose Mallow / Hibiscus (Hibiscus moscheutos)
-Flowering Dogwood (Cornus florida)
-Sundial lupine (Lupinus perennis)
-Pearly Everlasting (Anaphalis margaritacea)
The photo I worked from to help guide this painting was taken a couple of years ago. I’m not sure what made me go back in time; maybe the light effect, maybe the time of year. I wanted to show the light coming in from the background to light up the river with enough contrast with dark areas of the river, to keep it interesting. Things may seem just gray and brown this time of year, but I think the lighting in the winter is tremendous – like a lamp with a dimmer adjustment, yet positioned at a certain angle to still create dramatic effects.