There’s something about winter that makes me want to paint night scenes. Probably because in the northern hemisphere there is more darkness this time of year. Night can be magical and mysterious, which is what I’m trying to convey in this painting with a dramatic sky and a full moon shining through the clouds. “Creatures” tend to become more active at night, though in the dead of winter, I’m not so sure. I bet most sensible animals slow their heart rate down and buckle down until warmer times. I like to think of ourselves as slowing down too, to take a breath and look around? Nah, of course not.
The photo I worked from to help guide this painting was taken a couple of years ago. I’m not sure what made me go back in time; maybe the light effect, maybe the time of year. I wanted to show the light coming in from the background to light up the river with enough contrast with dark areas of the river, to keep it interesting. Things may seem just gray and brown this time of year, but I think the lighting in the winter is tremendous – like a lamp with a dimmer adjustment, yet positioned at a certain angle to still create dramatic effects.
I missed the peak “leaf peeping” time at Harriman this year. No bright red orange gold here. Just the remnants of gold and russet. I think I prefer this bittersweet ending scene instead of the “everything on fire” autumn scene. Can you tell I’m an introvert?
The mind never stops churning, even on a relaxing weekend upstate in the Catskills (NY). The Glen Falls House is where we stayed and everyone was super nice. There are short nature trails on the property, some of which, lead to one of the most beautiful waterfalls I’ve ever seen. It’s not a big waterfall, but the surrounding rock formations are hypnotic.
Painting this was FUN. I worked on it a couple of hours after work for a little over a week. The water was the biggest challenge but the scene already offers great contrast between the light coming in through the trees and the darkness underneath the rocks. The Eastern Hemlock stand at the top of the falls really hit home. I love these conifers and who knows how long until they are destroyed by the woolly Adelgid. Finally, I went for more glow and stronger color to depict the funky vibe I feel from the Catskills.
This place is not far from home. A swamp, a wetland, a breeding ground for a myriad of organisms. Some we consider charismatic, some consider us their host, and some we don’t recognize. It’s hard to walk by without noticing things here, especially, in the fall. What was a sea of green is now a textury color kaleidoscope. This season seems more fleeting than the rest. So little time, so much to paint.
I’m driving to work. It’s September and the weather is kind of muggy already at 7am. Right before the light there’s an old abandoned village, or so it seems. This obscure place has become a resting place for a giant white oak that must have died a while ago, but fell not too long ago. I wondered if this tree was special to someone.
The “Blizzard of 2016” rolled in and left a nice 30-inch snow portion for NJ folk to savor. But, this dish disappeared quickly – a big thaw began as the warm air crept in, melting the stuff away along Caitlin and the Twins’ creation, Ronnie the snowman. The big thaw inspired this watercolor. It is a slightly exaggerated view from the parking lot shared by tavern employees, shoppers, and residents of the old apartment building (that’s us). You may have seen the same building in an earlier post, but the Sycamores are brandy new. Enjoy!