There’s something about winter that makes me want to paint night scenes. Probably because in the northern hemisphere there is more darkness this time of year. Night can be magical and mysterious, which is what I’m trying to convey in this painting with a dramatic sky and a full moon shining through the clouds. “Creatures” tend to become more active at night, though in the dead of winter, I’m not so sure. I bet most sensible animals slow their heart rate down and buckle down until warmer times. I like to think of ourselves as slowing down too, to take a breath and look around? Nah, of course not.
Mitchella repens (Partridge berry). This is an often overlooked, wonderful evergreen ground cover for shade/part shade in the garden. It is fairly common in the deciduous forest understory. Unfortunately, I didn’t find any with the red berries still intact (which I hear are edible). This plant is somewhat slow growing and it eventually forms a dense carpet. When in bloom, the little white flowers are structured so that they prevent self-fertilization, thus promoting genetic diversity! And, it is the only plant in its genus in North America.
This painting was created for my cousin as a wedding gift. Plants included in this bouquet are all native to northeastern North America. This piece is somewhat imaginative because plants, such as flowering dogwood bloom in early spring, in contrast with our native hibiscus, which bloom closer to August. Therefore, this particular arrangement of fresh flowers may not be possible in practice, but it is way cool as a work of art 🙂
Plants included in this bouquet:
-Swamp Rose Mallow / Hibiscus (Hibiscus moscheutos)
-Flowering Dogwood (Cornus florida)
-Sundial lupine (Lupinus perennis)
-Pearly Everlasting (Anaphalis margaritacea)
The photo I worked from to help guide this painting was taken a couple of years ago. I’m not sure what made me go back in time; maybe the light effect, maybe the time of year. I wanted to show the light coming in from the background to light up the river with enough contrast with dark areas of the river, to keep it interesting. Things may seem just gray and brown this time of year, but I think the lighting in the winter is tremendous – like a lamp with a dimmer adjustment, yet positioned at a certain angle to still create dramatic effects.
I missed the peak “leaf peeping” time at Harriman this year. No bright red orange gold here. Just the remnants of gold and russet. I think I prefer this bittersweet ending scene instead of the “everything on fire” autumn scene. Can you tell I’m an introvert?